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  • Najet posing for Ms Mohamed rewriting the scriptures 1 1994
    pencil
    51.0 x 37.9 cm
    D-1994
  • Patient, Rozelle Hospital 1994
    drafting pen, black ink
    11.2 x 8.9 cm
    D-1994
  • Studio moth 1994
    drafting pen, black ink and watercolour
    8.9 x 11.2 cm
    D-1994
  • Making a face or pulling a face 1994
    drafting pen, black ink
    8.9 x 11.2 cm
    D-1994
  • Figure and shadow, sculpture idea 1994
    drafting pen, black ink
    8.9 x 11.2 cm
    D-1994
  • Damion Manhuwa, Man praying for rain 1994
    drafting pen, black ink
    8.9 x 11.2 cm
    D-1994
  • Paul, RPA Hospital (casualty) 3 1994
    drafting pen, black ink
    8.9 x 11.2 cm
    D-1994
  • Paul, RPA Hospital (casualty) 2 1994
    drafting pen, black ink
    8.9 x 11.2 cm
    D-1994
  • Paul, RPA Hospital (casualty) 1 1994
    drafting pen, black ink
    8.9 x 11.2 cm
    D-1994
  • Jellyfish sculpture idea 1994
    pencil
    11.2 x 8.9 cm
    D-1994
  • Two figures supporting door (sculpture idea) 1994
    drafting pen, brown ink
    11.2 x 8.9 cm
    D-1994
  • Series of sketches and notes from Louvre and Pompidou, Paris 1994
    drafting pen, brown ink
    8.9 x 11.2 cm
    D-1994
  • Stephen saluting the sun 1994
    watercolour
    20.4 x 14.8 cm
    W-1994
  • Opening a can of worms 1994
    drafting pen, brown ink
    20.4 x 14.8 cm
    D-1994
  • Dug's house (264 Annandale St.) 1994
    drafting pen, brown ink and watercolour
    14.8 x 20.4 cm
    D-1994
  • June (Annandale Street neighbour, from memory) 1994
    drafting pen, black ink and watercolour
    14.8 x 20.4 cm
    W-1994
  • Clasping hands 2 1994
    drafting pen, black ink
    14.8 x 20.4 cm
    D-1994
  • Clasping hands 1 1994
    drafting pen, black ink
    14.8 x 20.4 cm
    D-1994
  • The Crowning with Sexism 1994
    acrylic on panel (Australian red cedar plywood)
    73.2 x 59.3 cm
    P-1994-1
  • Stretching the Imagination 1994
    small version
    bronze
    7.0 x 21.0 x 7.0 cm
    S-1994-1
  • Why Not Lot? 1994
    carved Mooney Mooney sandstone
    99 x 42 x 46.5 cm
    S-1994-3
  • Young Amazon in Training 1994
    carved Gosford sandstone
    31 x 45 x 29 cm
    S-1994-2
  • To Cut Both Ways 1993-94
    acrylic on panel (plywood)
    100.0 x 100.0 cm
    P-1993-94-1
  • Paul the Environmentalist, Levitating in the Rainforest 1993-1999
    acrylic on panel (plywood)
    120.0 x 240.0 cm
    P-1993-3
  • Wattle sketch no. 2 1993
    drafting pen, brown ink
    38.0 x 50.8 cm
    D-1993
  • Wattle sketch no. 1 1993
    drafting pen, brown ink
    38.0 x 50.8 cm
    D-1993
  • Cascades near Platypus Flat, via Dorrigo (Nymboida River sketch) 1993
    watercolour and pencil
    36.0 x 54.0 cm
    W-1993
  • Brian working at laptop, study for 'Workaholism' 1993
    The Seven Deadly Sins of Modern Times (recto: Bird in blue gum, Hudson St.)
    pencil
    37.9 x 51.4 cm
    D-1993
  • Bird in blue gum, Hudson St. 1993
    watercolour and drafting pen, black ink
    51.4 x 37.9 cm
    W-1993
  • It Cuts Both Ways (watercolour) 1993
    watercolour and jeweller's rouge (line)
    56.3 x 76.2 cm
    W-1993
  • Celibacy (panel from 'The Seven Deadly Sins of Modern Times') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1993 (panel)
  • Workaholism (panel from 'The Seven Deadly Sins of Modern Times') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1993 (panel)
  • Dieting (panel from 'The Seven Deadly Sins of Modern Times') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1993 (panel)
  • Squandering (panel from 'The Seven Deadly Sins of Modern Times') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1993 (panel)
  • Self-effacement (panel from 'The Seven Deadly Sins of Modern Times') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1993 (panel)
  • Indifference (panel from 'The Seven Deadly Sins of Modern Times') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1993 (panel)
  • Sucking-up (panel from 'The Seven Deadly Sins of Modern Times') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1993 (panel)
  • Dogmatism (panel from 'The Seven Deadly Isms') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1992 (panel)
  • Racism (panel from 'The Seven Deadly Isms') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1992 (panel)
  • Materialism (panel from 'The Seven Deadly Isms') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1992 (panel)
  • Vandalism (panel from 'The Seven Deadly Isms') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1992 (panel)
  • Fascism (panel from 'The Seven Deadly Isms') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1992 (panel)
  • Sexism (panel from 'The Seven Deadly Isms') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1992 (panel)
  • Indifferentism (panel from 'The Seven Deadly Isms') 1993
    acrylic on wooden tabletop (panel)
    TBA
    P-1992 (panel)
  • Mitzi talking to Maya 1993
    pencil
    37.9 x 51.0 cm
    D-1993
  • Mitzi, Maya, and hand 1993
    pencil
    51.1 x 38.0 cm
    D-1993
  • Burning candle at both ends, for 'Squandering' 3 1993
    pencil
    36.0 x 47.9 cm
    D-1993
  • Prickly Pear 2 1993
    pencil
    16.4 x 20.8 cm
    D-1993
  • Studio toilet, study for 'Self-effacement' 1993
    pencil
    29.3 x 24.1 cm
    D-1993
  • Print hanging rack in my studio, study for 'Self-effacement' 1993
    pencil
    24.1 x 29.3 cm
    D-1993
  • Our Chrysler station wagon, my hair in a double helix 1993
    pencil, blue ballpoint pen
    24.1 x 29.3 cm
    D-1993
  • Our Chrysler station wagon 1993
    pencil
    24.1 x 29.3 cm
    D-1993
  • Toad-eater, study for 'Sucking-up' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Brian typing, study for 'Workaholism' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • It cuts both ways (gripping hands) 2 1993
    pencil
    36.0 x 47.9 cm
    D-1993
  • Study for 'Sucking-up' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Studies for 'Dieting' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Killing goose that lays golden egg, for 'Squandering' 3 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Burning candle at both ends, for 'Squandering' 2 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Eating dirt, study for 'Self-effacement' 3 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Pouring water through a sieve, for 'Squandering'; our pot-belly stove for burning midnight oil for 'Workaholism' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Cool as a cucumber, study for 'Indifference' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Female, legs crossed, study for 'Celibacy' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Burning candle at both ends, for 'Squandering' 1 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Eating dirt, study for 'Self-effacement' 2 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Eating dirt, study for 'Self-effacement' 1 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Killing goose that lays golden egg, for 'Squandering' 2 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Killing goose that lays golden egg, for 'Squandering' 1 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Pouring water through a sieve, for 'Squandering' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Smasch's skeleton, for 'Dieting' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Study for 'Hiding one's light under bushel' and 'Self-effacement' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Brian posing, study for 'Celibacy' 2 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1993
  • Pest working, study for 'Workaholism' 1993
    (The Seven Deadly Sins of Modern Times)
    pencil
    36.0 x 47.9 cm
    D-1993
  • Zeb, Gem (Paul's friends, from memory) 1993
    pencil
    16.4 x 20.8 cm
    D-1993
  • Brian posing in sunglasses, tablecloth (colour notes) 1993
    (colour notes)
    pencil and drafting pen, black ink
    16.4 x 20.8 cm
    D-1993
  • Check cloth 1993
    drafting pen, black ink
    20.8 x 16.4 cm
    D-1993
  • Paul, fingers on book 1993
    drafting pen, black ink
    20.8 x 16.4 cm
    D-1993
  • Prickly Pear 1 1993
    pencil
    20.8 x 16.4 cm
    D-1993
  • Brian posing 1993
    pencil
    20.8 x 16.4 cm
    D-1993
  • Pokies, Annandale pub 2 1993
    drafting pen, black ink
    16.4 x 20.8 cm
    D-1993
  • Pokies, Annandale pub 1 1993
    drafting pen, brown ink
    16.4 x 20.8 cm
    D-1993
  • Paul with Beard (maquette) 1993
    clay
    8 x 6 x 7.5 cm
    M04
  • Green Figurine 1993
    carved serpentinite
    2.7 x 1.8 x 1.3 cm
    S-1993-2
  • The Seven Deadly Sins of Modern Times 1993
    blockprint
    blockprint (medium-density fibreboard)
    60 x 61 cm (image), 70 x 66 cm (sheet)
    E-1993-1
  • The Seven Deadly Sins of Modern Times 1993
    acrylic on wooden tabletop
    123.0 cm dia.
    P-1993-2
  • Beauty and the Beast 1993
    carved Mooney Mooney sandstone
    74 x 69 x 59 cm
    S-1993-1
  • The Inspired Lecturer 1992, 1998
    acrylic on panel (plywood)
    120.0 x 120.0 cm
    P-1992, 98
  • Wattle just coming out 1992
    watercolour and drafting pen, brown ink
    38.0 x 50.8 cm
    W-1992
  • Wattle sketch 1992
    drafting pen, brown ink
    38.0 x 50.8 cm
    D-1992
  • WA Gum at Sydney University 1992
    watercolour, pencil and drafting pen, brown ink
    50.9 x 38.0 cm
    W-1992
  • Smasch (Brian), hand supporting head III 1992
    drafting pen, black ink
    54.0 x 36.0 cm
    D-1993
  • Smasch (Brian), hand supporting head II 1992
    watercolour, grey wash and pen
    54.0 x 36.0 cm
    W-1993
  • Smasch (Brian), hand supporting head I 1992
    watercolour, grey wash and pen
    51.0 x 38.0 cm
    W-1993
  • Brian's elbow 1992
    pencil
    29.5 x 42.0 cm
    D-1992
  • Brian's hands 2 1992
    pencil
    29.5 x 42.0 cm
    D-1992
  • Paul (eye contact) 1992
    conte
    51.0 x 37.9 cm
    D-1992
  • Paul (looking ahead) 1992
    conte
    51.0 x 37.9 cm
    D-1992
  • Paul (reading, leg on knee) 1992
    conte
    51.0 x 37.9 cm
    D-1992
  • Paul talking 1992
    brush, wash, ochre
    51.0 x 37.9 cm
    D-1992
  • Brian posing, study for 'Celibacy' 1 1992
    (The Seven Deadly Sins of Modern Times)
    pencil
    47.9 x 36.0 cm
    D-1992
  • Brian posing for 'Why Not Lot?' 3 1992
    pencil
    36.0 x 47.9 cm
    D-1992
  • Brian posing for 'Why Not Lot?' 2 1992
    pencil
    36.0 x 47.9 cm
    D-1992
  • Brian posing, study for 'Indifferentism' 1992
    (study for 'Seven Deadly Isms')
    pencil
    47.9 x 36.0 cm
    D-1992
  • Brian posing for 'Why Not Lot?' 1 1992
    pencil
    36.0 x 47.9 cm
    D-1992
  • Largactyl man, Ward 4 1992
    drafting pen, black ink
    19.3 x 16.0 cm
    D-1992
  • Brian in cafe 1992
    drafting pen, brown ink
    16.0 x 19.3 cm
    D-1992
  • Spirals in my hair 1992
    drafting pen, brown ink
    16.0 x 19.3 cm
    D-1992
  • Water on bathroom floor, one-eyed monster puddle 1992
    drafting pen, brown ink
    19.3 x 16.0 cm
    D-1992
  • Blossom on branch of West Australian Gum (Eucalyptus caesia) 1992
    watercolour and drafting pen, brown ink
    38.0 x 50.8 cm
    W-1992
  • Cascading Blossom, West Australian Gum (Eucalyptus caesia) 1992
    watercolour and drafting pen, brown ink
    38.0 x 50.8 cm
    W-1992
  • Paul in Vest, Leaping 1992
    watercolour
    76.0 x 56.0 cm
    W-1992
  • Choosing Another Face 1992
    lithograph (bleed print)
    38 x 57 cm (image and sheet)
    E-1992-2
  • Blind (The Blind Woman of Annandale) 1992
    woodcut
    42 x 63.5 cm (image), 57 x 76 cm, 60.5 x 80 cm (sheet)
    E-1992-1
  • The Seven Deadly Isms 1992
    acrylic on wooden tabletop
    122.0 cm dia.
    P-1992
  • Atlass / Ms Atlass 1992
    bronze
    32.0 x 15.0 x 15.0 cm
    S-1992-1
  • Show of Hands 1992
    aka Gestures
    carved Gosford sandstone
    29 x 29 x 25.5 cm
    S-1992-2
  • Brian Phoning Australia from Weesp (The Netherlands) 1991, 1996
    acrylic on panel (plywood)
    77.0 x 70.0 cm
    P-1991, 96
  • Clouds (brush sketch) 1991 c.
    watercolour
    25.4 x 38.0 cm
    W-1991
  • Pinatubo sky in Sydney 1991
    watercolour
    27.5 x 37.5 cm
    W-1991
  • Choosing a Face III (composition sketch) 1991
    (verso)
    grey brush
    27.5 x 37.4 cm
    D-1991
  • Choosing a Face II (composition sketch) 1991
    watercolour, white crayon and pencil
    27.5 x 37.4 cm
    W-1991
  • Choosing a Face I (composition sketch) 1991
    watercolour
    27.5 x 37.4 cm
    W-1991
  • Elly de Jong's carpet, Weesp 1991
    watercolour and drafting pen, black ink
    41.0 x 31.0 cm
    W-1991
  • Choosing a face (face on left cut out) 1991
    pencil, white crayon, watercolour
    27.5 (26.7 sq. perf.) x 37.4; 13.5 x 7.5 cm
    D-1991
  • Choosing a face 1991
    pencil, white crayon and watercolour
    26.7 x 37.4 cm
    D-1991



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