She is also a strong social satirist, particularly in paintings such as The Crowning with Sexism, which combines iconographic images of Marilyn Monroe and Joe DiMaggio with a composition borrowed from Hieronymus Bosch, as well as in other Boschian extravaganzas such as The Seven Deadly Sins of Modern Times and The Seven Deadly Isms.

Andrew Margolis, Gallery & Studio (New York) Nov/Dec. 1998